This is a complete list of all blog posts on this website, in reverse chronological order (most recent at the top). A new post is added every third Thursday of the year.
The Editor sometimes rediscovers old posts or articles from the archives. These are added in the appropriate spot by date, and a link spotlighting them appears in the sidebar.
To submit a comment on an item, please see the submission guidelines. Minor Mogul assumes all emails are intended for publication.
Written and directed by Rudy Lenz. With Marito Lopez, Julian Nelson, and Keilani Rose. Comedy / thriller, 2024, 23:00, colour.
Official website • IMDb • Watch on YouTube
Hollywood creators have been rending their garments over the sale of major Hollywood studio Warner Bros. to either streaming service Netflix or content-producer and -financer Paramount SkyDance. Now we learn that Paramount has won the purchase. This is irrelevant to Minor Moguls, who are independent creators and businesses, but bad news for USAnia and for civilization in general.
Finding distribution for an independent movie can be so difficult that many creators seek to bypass what they think of as gatekeepers. Some of these creators try to become distributors themselves.
Sometimes these individuals manage to combine stupidity, ignorance, wishful thinking, entitlement, and self-righteousness into a toxic stew that, while doing them no good, can serve as object lesson to the rest of us of what not to do.
Crafty “presents snack-sized stories, both narrative and nonfiction, with an emphasis on heart and humanity. We host these stories on our YouTube Channel.”
One thing I don’t see any mention of is payment. So they’re going to take your movie and put it on their Channel, and monetize that Channel, and keep all the money from that Channel. You are giving them your work so they can make money from it.
Roger Deakins is “Often regarded as one of the greatest and most influential cinematographers in the history of cinema,” (says Wikipedia). He was Cinematographer on such movies as 1917, O Brother, Where Art Thou?, and The Shawshank Redemption.
At his eponymous website he operates a free-membership forum that is a master-class in all aspects of telling a story with moving images.
Distribution is the hardest challenge for the independent creator. Many creators find no venue for their work, and are desperate to place their movies before an audience. Quite regularly, some newbie will come up with the Totally Original Idea: they will found a streaming service of their own — Netflix for Indies! Here is why that never works.
Making any movie is hard work, and it’s possible to do all that work and still make a bad movie. It all starts with an idea — so make sure your idea is original and interesting to people other than you. Here are some movies that we have already seen eleventy-squillion times, so you don’t need to make them again.
If you want a career as a Director, make a feature as soon as you can.
Why do you want to make movies?
This website pretends to be a resource for creators, but notice that it makes its money by selling “how to pitch” workshops and such to its users. You are not the audience; you are the product, sold to the workshop facilitators. It’s a scam disguised as a resource.
Website: Ask Ms. Google’s search engine
Written and directed by Jesse Hood. With Amy Laity, Lori Schock, and Dale Willman. Comedy, 2020, 17:11, colour.
A recently widowed woman tries to get her life back on track with help from her daughter . . . and some marijuana edibles.
Written by Damian T. Lloyd and Adam Canuck Zimmerman; directed by Adam Canuck Zimmerman. With Jessie Liang, Rachel Mazz, and Corey Woods. Drama, 2018, 1:43:08, b&w.
Data-analyst Allie is being transferred by her job. Before she leaves, she has a single day to spend with her two estranged friends Blanca and Courtenay. Allie must repair the ruptured relationship between the two of them — a rupture they don’t know she is responsible for.
IMDb • Watch on YouTube • Buy on Gumroad
Written and directed by Josh Rimer. With Josh Rimer and Tyrell Witherspoon. Comedy / musical, 2012, 3:35, colour.
In this song parody of Chris Brown’s “Don’t Wake Me Up”, a horny young man encounters an unexpected setback upon getting home with his hook-up from the club. (And watch the behind-the-scenes video.)
Watch on YouTube
At the beginning of this month, Josh Rimer invited me to be Cinematographer for his latest comedy sketch. The shoot went smoothly. Writer / Director Josh had a good idea of what he needed to shoot to tell the story, and welcomed suggestions from his collaborators. We shot in one location at a time, moving through Josh’s apartment. We were there for less than a full working day.
Movie-making is a collaborative art, involving many craftspeople across many disciplines. As Minor Moguls, it’s up to us to pull these disparate elements together. The way to do that is to treat our people well. Treat your people with respect, dignity, and consideration, and they will work hard for you.
When you’re shooting your micro-budget epic, don’t neglect the people who are gambling their time and talent on the project. Give them food and drink to fortify their mortal selves.
Today, making a professional-quality movie independently is within the reach of anyone with a middle-class income. But getting it seen is still the tough nut to crack. Canadian movie-makers have lamented for a hundred years that big American distribution companies have locked up all the available venues, and it’s impossible for a Canadian movie to get bookings.
Fortunately, avenues for distribution have multiplied. With an ever-increasing number of cable channels, and with Web distribution becoming the definite future, there’s never been such an insatiable need for content.
Right now, it’s never been so easy to make a movie, and it’s never been so easy to place your movie before an audience.
Recounting the four-day shoot for the short movie by Lanagara College’s Film Arts Programme.
It has never been so possible for anyone to make a movie independently. And it has never been so possible for anyone to place that movie before the public. Dare to dream your dreams, and turn them into reality!
Written by Michael Chabon, Alfred Gough, Miles Millar, and Alvin Sargent; directed by Sam Raimi. With Kirsten Dunst, Tobey Maguire, and Alfred Molina.
In the sequel to Spider-Man (2002), Peter Parker is beset with troubles in his failing personal life as he battles a former brilliant scientist named Otto Octavius.
The second Spider-Man movie is not a good movie, but it is a fun movie.
Most people go through identifiable stages in developing this sense. The Saturday Night Live stage seems often to coincide with being allowed to stay up late, and with discovering the joys of a well-rolled joint.
The “good old days when it was funny” refers to one of two periods: A) the original Not Ready for Prime Time Players, or B) whenever you started watching the show until the cast changed and you stopped.
The sad truth is this: SNL was never a funny show. Oh, there were certainly funny parts, but overall the sketches were under-written and under-rehearsed, bits went on too long, and the talent creating the show always had a better time than the audience watching it. Why is that?
What movie industry exists in Canada does so primarily as support for American productions. But it doesn’t have to be that way.